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Features
![What Morvern Callar Has to Teach Us About Empathy ](https://images.squarespace-cdn.com/content/v1/63beb1552f2a41471a264ee4/1710857901596-CGQYYI96Z0XF93GVT6DG/movern1.png)
What Morvern Callar Has to Teach Us About Empathy
![Sofia Coppola’s Priscilla: Female Adolescence is a Timeless Narrative ](https://images.squarespace-cdn.com/content/v1/63beb1552f2a41471a264ee4/1709640099191-42W6M4WGX7M41FCEEMCI/Priscilla1.png)
Sofia Coppola’s Priscilla: Female Adolescence is a Timeless Narrative
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“I once knew these two people”: Paris, Texas and Reinterpreting the Aftermath of Trauma on its 40th Anniversary
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Film Fatale: Morgiana and the Scheming Woman
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Film Fatale: May December, Female Orientated Cinema and How Todd Haynes is Keeping the Melodrama Alive
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Film Fatale: In Defence of Misery’s Annie Wilkes
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"How Many Ladies Have to Die to Make It Good?" - Surviving the Patriarchal Surveillance State of 'In the Cut'
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“I Am Not Invisible!”: The Mother-Daughter Wardrobes in ‘Mermaids’
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How Medusa Deluxe Pulls Back the Velvet Curtain on the Production of Glamour
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Jennifer Esposito Spins the Mafia Genre on its Head in Directorial Debut Fresh Kills
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Briana Middleton on How to Prepare for Starring in a Psychological Thriller
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Beauty Archivist: Cabaret’s Makeup is an Argument Against Winged Eyeliner
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Director Eva Vik on Cinema, Female Intuition and her new film, Serpentine
How Memes Have Become Their Own Language - In The African Desperate and Beyond
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Surrealism in Film: A Perfect Playground for Women
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Five Glamorous Films from the Era of Porno-Chic
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