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Features
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Culture Slut: On Derek Jarman, Klaus Nomi and AIDS On Screen
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Non Threatening Boys*: Action Movies are for Lover Girls
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The Sensualist: Kennady Schneider on Training Mikey Madison for Anora, Migration Stories and the Banality of Sex Work
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Ashley Smith on Magic: The Gathering, Indie Sleaze and Independent Movie Making
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The Cougar Complex - On Halina Reijn’s Babygirl, MILFs and Power Imbalances
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Culture Slut: Alien, Aliens and the Legacy of Lieutenant Ripley
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Film Fatale: Threads (1984) and the Kitchen Sink Apocalypse
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Why Are We All Obsessed with Our Bosses?
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Film Fatale: Solaris, World on a Wire, and the Allure of Vintage Science Fiction
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Melissa Barrera on Ballet Horror Abigail, Her Love for Ireland, and Speaking Out for What You Believe In

Culture Slut: Why Gloria Swanson is the Ultimate Gay Icon, Part 2
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Beauty Archivist: From Barbarella to Klute, How Hair Liberated Jane Fonda
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Yearning, Gazing, and Scissoring: The Politics of the Sad Sapphic Period Drama
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In Poor Things, Holly Waddington’s Costume Designs Signal Sexual Liberation
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Subversive Secretaries and Corporate Fairy Tales: Exploring the Resilient Assistant Trope In Cinema
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The (Bad) Taste Test: The Resistible Rise of Corporate Cinema
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Nina Menkes on the Male Gaze, Misogyny in Cinema and Brainwashed
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What Under The Skin Taught Me About Being a Woman
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Why Are the Wealthy the Focus of Recent Comedy Films?
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